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Vic Firth M172 Corpsmaster Hard Rubber Core Keyboard Mallets
Very hard yarn marimba mallet that provides excellent clarity in the middle to top register. Rubber core; birch shafts.
Vic Firth M185 Multi-Application Soft Vibraphone Mallets
Soft yarn vibe mallet with a full, lush sound. Virtually no attack. Weighted rubber core; rattan shafts.
Vic Firth M188 Corpmaster Multi-Application Hard Weighted Rubber Core Mallets
Hard cord vibe mallet provides maximum projection and clarity. Weighted rubber core; rattan shafts.
Vic Firth M228 Ney Rosauro Keyboard Mallets
General. An all purpose mallet for rich, full sound on any keyboard.
Vic Firth M70 Corpsmaster Marimba Mallets Medium
The M70 is a versatile mallet suitable for a wide range of musical styles. It offers a good balance of clarity and warmth, making it a popular choice for marching bands, indoor percussion ensembles, and orchestral settings.
Vic Firth MB3S Corpsmaster Marching Bass Drum Mallets
The Vic Firth MB3S is a soft, large-headed mallet designed specifically for marching bass drums. It’s part of the Corpsmaster series, which is known for its durability and performance in demanding marching band environments.
Vic Firth MSBAG2 Drumsticks Bag
Attaches to marching drums and holds two pairs of sticks, brushes or mallets. Great for quick stick changes. Water resistant nylon.
*DRUMSTICKS NOT INCLUDED*
Vic Firth SAA Alex Acuna Conquistador Timbale Sticks
Alex Acuña’s timbale sticks are designed to provide optimum response on timbales and cymbals. In hickory.
Vic Firth SAAC Alex Acuna Clear Conquistador Timbale Sticks
Alex Acuña’s timbale sticks are designed to provide optimum response on timbales and cymbals. In hickory.
Vic Firth SAJ Akira Jimbo Signature Drumsticks
Tear drop tip for cymbal definition and tapered butt for unique balance.
Vic Firth SBC Billy Cobham Signature Drumstick
Vic Firth SBC drumsticks are a signature series designed in collaboration with legendary drummer Billy Cobham. These sticks are renowned for their precision, power, and versatility.










